The beauty of the shadows cast by my sculpture is a striking and important element for me. Taking the step to capture the shadows on paper has become an important shift in my art practice. At this exciting crossroads, I continue to explore the relationship between my mediums.
My printmaking background influences my work across media. In my most recent pieces, I have been printing with black ink on my favorite hand made papers traditionally used for chine colle. Using etching, drypoint, monotype techniques, and paper lithography, I am printing my own imagery to use in my sculpture.
Line and Shadow-4, Ink and Tea on paper mounted to panel, 36 x 24”
Line and Shadow-3, Ink and Tea on paper mounted to panel, 36 x 48”
Line and Shadow-1, Ink and Tea on paper mounted to panel, 40 x 30”
Line and Shadow-2, Ink and Tea on paper mounted to panel, 40 x 30”
Lost Time #1, Drypoint, 12 x 9”
Lost Time#2, Drypoint, 12 x 9”
Lost Time #3, Drypoint, 12 x 9”
Time Away, Etching and monotype, 9 x 7”
Lost Time #4, Drypoint, 12 x 9”